Here is the first of Rembrandt’s two “Supper at Emmaus”.  I prefer the drama of this piece.  Note the disciple in the foreground shadow who has fallen out of his chair and is on his knees bowing to Our Lord, who has just revealed Himself in the Eucharist, and is about to disappear in His corporeal form.  The woman in the kitchen is going to walk out with a plate of something in a few seconds and say, “Where’d He go?” And the men are going to point at the Consecrated Host and say, “He’s RIGHT THERE!”