Yes, I’m just sitting here watching all of this collapse unfold, remembering how all of this was made perfectly, totally obvious when Bergoglio didn’t genuflect after consecrating the Host and Precious Blood in his first Mass in the Sistine Chapel. I don’t know what exactly it is going to take for people to realize that the whole “you can’t make judgments based on objective reality” trope is diabolical.
Anyway, LifeSiteNews has some excellent reportage on the digital “artist” who was hired by Bergoglio to do the St. Peter’s lightshow. Another thing that this culture has been tricked into believing (by perverting the significance of Our Blessed Lord dining with tax collectors and sinners) is that it does not matter who you associate with. When Our Lord dined with sinners, or spoke with the Woman at the Well, He called them, explicitly, to repentance. And they did. People today think they can run with truly evil people and never say a word to them admonishing their sin, telling them about hell, and telling them of the massive importance of repenting and ceasing their sinful ways, and that this is not only morally acceptable, but morally superior – that in running with, doing business with, or associating with genuinely bad people and NOT CONFRONTING THEIR EVIL is the mark of a truly “Christian” soul.
Bearing this all in mind, read the following excerpt on the digital “artist” that FrancisNewChurch freely chose to associate itself with and promote.
“Android” Andrew Jones, the artist behind the image, said at that time that he wanted to depict Mother Earth in her “fiercest form” to draw attention to what might happen if people ignored the implications of climate change.
The Vatican show included artwork and computer-generated designs by Jones, but it is unknown at this time what artwork was featured.
Jones, one of the world’s foremost digital painters and projection artists, specializes in portraying terrifying images of Greek, Roman and Eastern pagan deities. He said in an interview last month that he turns to these gods and goddesses by means of “psychedelic substances” (mind altering drugs) so that he can portray them accurately. He said the “deities” are “actively involved” in guiding his hand as he makes the work.
“These [drugs] are tools that grant portals and access into different realms that I still haven’t fully been able to grasp or say that I have uncovered all of their meanings. … They have evolved my ability to … discover new and interesting combinations of energy and matter. Some have … shown me greater nightmares than I could ever depict or wish to imagine ever again.”
“These spirits and the deities that [the images] represent [in India, Greece, etc.] are actively involved, enrolled, and contributing to humans reinventing the visual vernacular of these beings as time and technology evolves,” he said.
Jones said that good art connects the viewer to something “mystical.” He said in a 2010 video interview that a good reaction to his art happens when people “throw up, or urinate themselves, or [release] any sort of bodily excrement.”
Bergoglio used the Feast of the Immaculate Conception to turn the Petrine Basilica into a global stage for a satanist.