(This has been a very popular piece over the years, and explains to a culture so stripped of any sense of reverence, respect or even decorum why it is that liturgy should be masculine, solemn, reverent, and especially BEAUTIFUL, in the only terms that can still, just barely, be understood: the Tomb of the Unknowns at Arlington National Cemetery. I have received many emails over the years mostly from men, but also a few women, who reported having a change of heart about the “fancy vestments” or “hyper-formal and distant” rubrics of the Traditional Mass. It is so sad that today’s infiltrated and fallen culture considers masculinity and beauty to be in opposition to each other. Nothing could be farther from the truth.)
HERE RESTS IN HONORED GLORY AN AMERICAN SOLDIER KNOWN BUT TO GOD.
Those are the words engraved on the Tomb of the Unknowns at Arlington National Cemetery. Here is a video of the Changing of the Guard.
I think we can all agree that the Tomb of the Unknowns, the 24/7 guarding of the Tomb, and the intense precision of the ceremonial rubrics therein is one of the most excellent things in American culture. The old saying goes, “You may judge a nation by how it treats its fallen warriors.” In an otherwise degraded and despair-inducing society, the Tomb of the Unknowns is a beacon of cultural light and hope.
The Tomb of the Unknowns is also extremely instructive, and believe it or not, it instructs us about . . . the Mass. The reason the Tomb of the Unknowns instructs us today about the Mass is because the Tomb of the Unknowns rubrics are highly informed by the rubrics of the Mass, which were themselves informed by military rubrics, which were informed by even older liturgical rubrics. Military ceremonials and the Ceremonials of the Church are intertwined. Only since the Asteroid hit in the 1960s has the masculinity and, if I may use the term, militant aesthetic been utterly purged, in an attempt by the infiltrators to destroy the Church Militant from within by concealing its very nature from itself – MILITANCY. And so I am reminded of a quote I once heard:
It is important for Christians to know their own history, because if you know your own history, no one else can tell you who you are.
And that is precisely what has happened, and continues to happen. The enemies and infiltrators desperately want all knowledge of WHO and WHAT the Church truly is suppressed and forgotten so that they can lyingly “tell you who you are”. And if you have no knowledge of your own history, you will have no way to discern what is truth and what is lies, and you can thus be conned into believing that you are what you are not, and deceived into believing that you are not what you in actuality are.
For those of you who have never seen a pre-1969 Tridentine Mass and are used to the clownish, degraded, irreverent Novus Ordo Masses of the last 45 years, or of Superfun Rockband church, I hope the sense of reverent awe and solemnity you feel when watching the ceremony at the Tomb of the Unknowns helps you understand what exactly it is that has been robbed from you.
After watching the ceremony at the Tomb of the Unknowns above, I want you to imagine the guards walking about casually, maybe wearing a partial uniform jacket, but with jeans and sandals. Imagine the guards walking out and introducing themselves, “Hi, my name is Lieutenant Jones, but you can call me Lieutenant Jake, or just Jake.” Then the guard might say something like, “Isn’t it a beautiful day today? It sure was rainy yesterday. I had to wear a rain jacket. I’m so glad you all could make it to my shift today. I’m going to be guarding the tomb for the next few hours, and I know that it can sure get BOOOORING! That’s why I have asked a local band to come in and play some awesome new music for you guys, because I want this to be A FUN EXPERIENCE for all of us!”
If this happened, you would be shocked and disgusted, right? Do you understand that what I have just described is a watered-down comparison of what has happened to the Holy and August Sacrifice of the Mass? The Mass went from being even more reverent than the rubrics of the Tomb Guard to what I just described above – and many times even worse than what I described above. And this happened for many people within a span of several WEEKS in late 1969 into early 1970.
Let’s walk through some of the many parallels.
The soldiers are in full dress uniform, meticulously turned-out and maintained. They are not in combat gear that soldiers would use to walk a patrol in Afghanistan. The Tomb guards are doing something DIFFERENT, and thus their uniforms reflect that.
Really, what the ceremonies surrounding the Tomb are is the highest form of ART. It is living ART, not consisting of a mere two-dimensional representation, not consisting of inanimate objects, but ART consisting of human beings in action. The uniforms, the gait, the precise rubrics, words, gestures and movements – these all combine into a perpetual work of art that not only moves and inspires the people who witness it, but also accomplishes the goal of making tangible a RESPECT for and a REMEMBRANCE of all of the fallen unknown soldiers. The Tomb Guards walk their patrol whether anyone is there to see them do it or not. It isn’t a show. It is a service. It is a rite.
The Holy Sacrifice of the Mass is exactly what I just described, except that the Mass is the most perfect artistic action in the universe because the Mass is the artistic creation of God Himself. The Mass is SUPERNATURAL ART. The Holy Spirit taught the Church the Mass. The Mass is art that is so perfect that it actually causes something SUPERNATURAL to happen – it causes Heaven and Earth to touch, it causes time to be bent such that the moment of “now” touches and intersects with the moment of Calvary 1984 years ago, and it causes bread and wine to be transubstantiated into the Body, Blood, Soul and Divinity of Jesus Christ, made PHYSICALLY SUBSTANTIALLY PRESENT. Man calls down God, and God, in His infinite love, responds and fully submits in complete love, making Himself present on the Altar both at the moment of His death, and in His resurrection, so that He may go into us not only spiritually but also physically as Food.
-In the Tridentine Mass, the priest observes “custody of the eyes”, never looking around and NEVER looking out at the people. Like the guards, priests are supposed to keep their eyes on exactly what they are doing without distraction. The Guards at the Tomb wear mirrored sunglasses to block out all eye contact. Priests are supposed to keep their eyes DOWN or CLOSED, with a couple of exceptions such as just before the consecration when they are to look up to Heaven. This is like the Guards’ rubric of looking from side-to-side very deliberately when inspecting the rifle and the relieving officer. Did you catch that?
–Priests are also supposed to walk with a very deliberate gait – slow, measured and reverent in exactly the same way the Tomb Guards walk in a slow, deliberate, reverent gait.
–Priests are only supposed to say very specific words – no improvisation, no modifications. The Guards are the same way. They have a very strict announcement that they make at the changing, and they have very strict words that they say when telling people to be quiet and observe reverent silence (there is a YouTube video of that happening, look it up.) There is no chatting or extemporaneous speech. In the Church, the command is “Say the black, do the red,” in reference to the layout of the Roman Missal with the words of prayer in black and the instructions for the intensely precise rubrics, down to every gesture, in red.
-I would analogize the exaggerated heel-clicking movement that the Guards do to the genuflecting of the Priest (and servers, and laity, ahem) to the rubric of ALWAYS genuflecting to the right knee EACH AND EVERY TIME the axis of the Tabernacle and/or Altar Cross is crossed. In many Catholic Churches, the Tabernacle, which is the center of the Church – heck, it is the center of the universe – has been moved off to the side, or even hidden in a sacristy. Where a Tabernacle is present, Our Lord, physically present inside, is largely ignored. I have never seen a Novus Ordo priest consistently observe the loving rubric of genuflecting to the Tabernacle every time the plane is crossed. (I have learned since originally writing this that the General Instruction of the Roman Missal for the Novus Ordo Mass specifically states that there are to be no genuflections to the Blessed Sacrament or Cross except by the priest at the consecrations. Sit in stillness with this for a moment. Do you see why I say that the Novus Ordo was conceived in malice by the infiltrators, and thus cannot be “fixed”?)
In fact, most Novus Ordo priests wander around the sanctuary with their backs turned to the Tabernacle while they put on their “performance.” This would be analogous to the Tomb of the Unknowns itself at Arlington being moved “out of the way” and instead a stage being erected upon which the Guards would perform. It makes you sick to think of that happening at Arlington – but that is largely what has happened to the Holy Sacrifice of the Mass.
-There is even an analogue in the Changing of the Guard ceremony to the Consecration of the Host in the Mass. Did you hear it when you watched the video above? It comes at the 2:36 mark. A rifle is fired, its report thus commemorating the moment of death of the Unknowns. In the Mass, the moment of consecration and transubstantiation are the report of Christ’s words spoken by the priest:
HOC EST ENIM CORPUS MEUM.
(This is My Body.)
Finally, the words engraved on the Tomb of the Unknowns:
HERE RESTS IN HONORED GLORY AN AMERICAN SOLDIER KNOWN BUT TO GOD
This is analogous to the words of the Mass:
ECCE AGNUS DEI, ECCE QUI TOLLIT PECCATA MUNDI.
(Behold the Lamb of God, behold Him who takes away the sins of the world.)
In the Mass, Christ is obviously alive, physically substantially present in the Eucharist, veiled under the mere appearance of bread and wine. Every Mass is a supernatural event – a miracle. At the Tomb, the Unknowns remain dead – only their memory, veiled in anonymity, is honored. There is absolutely NOTHING supernatural about the Tomb of the Unknowns. Let me say that again: There is absolutely NOTHING supernatural about the Tomb of the Unknowns. It is most excellent, to be sure, but it is not a supernatural thing.
The point is this: if we all know and understand and FEEL the power of the excellent, excellent ceremonial rubrics of the Tomb of the Unknown Soldiers, if we understand the power of “living art”, and we understand how important the concepts of reverence, solemnity, precision, dignity and beauty in movement and action are in the context of the Tomb, why, oh why, do we continue to tolerate the lack of reverence, the lack of solemnity, the absence of liturgical precision and dignity and the resulting UGLINESS that has been unleashed on the Holy Sacrifice of the Mass, which is not just a mere memorial of Calvary, but is Calvary Itself, made supernaturally present, and Our Resurrected Lord physically substantially present?
The Tomb of the Unknowns merits the excellent, beautiful, solemn, reverent, disciplined ceremony of the Guards.
Our Lord, Crucified, Risen and physically substantially present to us in the Most Holy Sacrament of the Altar deserves INFINITELY MORE excellence, beauty, solemnity, reverence, discipline and dignity in His Mass.
Demand it. Now.